

Science Fiction... Why Doesn't Society Catch Up?
As I noted in passing in my earlier blog, various "authorities" have suggested for at least close to twenty years that one of the reasons why science fiction readership has dropped off, and it has, at least in relative terms as a percentage of the population, and even possibly in absolute terms, is because all the themes that were once the staple of science fiction are now scientifically possible and have often been done. We have put astronauts in orbit and sent them to the moon, and the reality is far less glamorous than the "Golden Age" SF writers made it seem. We have miniaturized computers of the kind that only Isaac Asimov forecast in work published around 1940. We have lasers -- and so far they don't work nearly so well as the particle beams in Clarke's Earthlight or the lasers in 2001. We've created a supersonic passenger aircraft and mothballed it.
These reasons all sound very plausible, but I'm not so certain that they're why SF readership has dropped off and why fantasy readership has soared. Earlier, I also explored this in terms of the "magic society," but my personal feeling is that there is also another reason, one that has to do with people -- both readers and the people and societies depicted in much current SF... and that includes mine, by the way.
Socially, human beings are incredibly conservative. We just don't like to change our societies and domestic arrangements. Revolutions do occur, but just how many of them really end up in radically changing society? When MacArthur "restructured" Japanese society after WWII, the economic and political bases were changed dramatically, but the domestic and social roles remained virtually unchanged for another forty years. It really wasn't until the 1990s when significant numbers of Japanese young women decided they didn't want to follow the roles laid out by their mothers. Corrupt as he may have been, one of the largest factors leading to the overthrow of the Shah of Iran was that he was pressing to change social and religious structures at a rate faster than his people could accept.
While at least some of us in the
Now... what does this have to do with SF readership?
I'd submit that there's a conflict between what's likely technically and what's likely socially, and social change will be far slower than predicted. In fact, that's already occurred.
When my book Flash was published several years ago, one of the reviewers found it implausible that private schools would still exist some 200 years in the future in
Yet more than a few books suggest the wide-spread growth of computerized learning, radical new forms of social engagement, and the like. Much of this will never happen. Look at such internet "innovations" as E-Harmony, Chemistry.com, etc. They aren't changing the social dynamics, but using technology to reinforce them. Women still trade primarily on sex appeal and men on looks, power, and position. They just start the process electronically.
Most readers don't really want change; they only want the illusion of change. They want the old tropes in new clothes or new technology, but most of them want old-style men in new garb, and brilliant women who are sexy, but still defer to men who sweep them off their feet.
Again... I'm not saying this is true of all readers, and it's probably not true of the majority of SF readers. But, as a literature of ideas and exploration, the more that SF explores and challenges established social dynamics, the fewer new readers it will attract, particularly today, when it's becoming harder and harder to create true intellectual challenge, because so few people want to leave their comfort zones. That's an incredible irony, because our communications technologies have made it easier and easier for people to avoid having their preconceptions challenged.
Most fantasy, on the other hand, merely embellishes various existing social structures with magic of some sort, and it's becoming increasingly popular every year. Perhaps that's because, like it or not, technology has made one fundamental change in our economic and social structure, and that is the fact that physical strength is no longer an exclusively predominant currency in determining income levels. More and more women are making good incomes, often more than their husbands or other males with whom they interact. Sociological studies suggest that male-female relationships often reach a crisis at the point where the woman gains more income, power, or prestige than the man. It's unsettling, and it's happening more and more.
Enter traditional fantasy, with its comforting traditional structures. Now... isn't that a relief?
Then Neuromancer hit, and won the triple crown. And authors are like football coaches - they follow whatever fad is popular at the time. So by the end of the 1980s a large percentage of the SF books were cyberpunk, and frankly most of them were crap. But unlike the lower quality books of previous generations, these attempted to be edgy. So if they didn't pull it off they were painful.
That, combined with the fact that my favorite authors were dying off, or at best only producing a book every couple of years, turned me off of SF, and basically off of reading for a few years. When I picked it back up I decided to attack the fantasy authors that I'd been ignoring all along. My basic criteria were to look for authors who had been publishing for at least 5 books, whose earliest books were still in print. I figured that would filter out most of the drivel.
That's how I found guys like Robert Jordan, David Eddings, and yourself. I spent several years devouring a few decades of the fantasy canon, catching up.
So now I'm basically a 50/50 reader since SF has finally gotten over the rough spot it went through in the late 80s and early 90s. But I could certainly understand if people didn't come back.
Whether this is an innate human characteristic or subtly imposed by those who most benefit is arguable.
It is interesting because it explains, in part, why SF is declining in sales. Core SF fans expect the same thought-provoking challenges that are rejected by mundane society. When SF is less challenging it can be extremely successfull (e.g. Star Wars, Star Trek IV, E.T., etc) but fashions occur in cycles, witness the recent
resurgence of westerns, so it in not too unlikely that a new wave of SF that does not threaten social traditions (probably space opera)will surge to popularity in the not too distant future.
This is a bit disappointing because it means that no matter what "cool" SF inventions become real, they will be incorporated into the mundane world with barely a ripple. I suppose we'll use time travel merely to bargain shop in the 1950s or invisibility to avoid UV rays while working outdoors. Disappointing. Thank you for a thought provoking blog entry.
SF has never been and is not now particularly socially challenging and if anything Fantasy is slightly moreso. For example, strong female protagonists became acceptable in Fantasy well before they were in SF.
I beg to differ... if with one caveat, and that caveat is that the majority of any fiction genre, including mainstream fiction,focuses on "entertainment" rather than on issues.
BUT...social challenge is not just about gender or gender roles. Yes, gender roles are part of social structures, and a vital component, and I've certainly written my share of strong females, but outside of strong women, the vast majority of fantasy does not experiment with differing government and economic structures, technological impact on society, etc. While I have done a fair amount of innovation in terms of government,politics, and social structure in my fantasy, I'm fairly widely read in the field, and I don't know of that many others who have.
As far as challenging SF, LeGuin's Left Hand of Darkness is far more challenging than her fantasy. Sheri Tepper writes challenging SF. So, I dare say, do I. Whether you like him or not, Heinlein raised fundamental questions about what citizenship entails before there effectively was a separate fantasy genre. Joe Haldeman addresses social issues in his SF, and Keith Robert's Pavane in a classic alternate history based on the interplay of religion and technology and how they might have changed society.
I imagine other readers could list other authors who have done so as well.
1. It has always seemed to me that until the 60s, mainstream SF was "physics heavy." That is, you could be a bit light on biology, maybe chemistry, economics, sociology, and so on, as long as you could play with the effects on society of antigravity, FTL travel between worlds, nuclear-type power, and the like. In the 60s and 70s, people like Stableford (biology in the Hooded Swan series), James White (medicine), CJ Cherryh (anthropology disguised as alien psychology), and the like "raised the bar", so that readers began demanding greater "texture" to their SF. Thus, it is simply easier to write "good" fantasy than "good" SF, as authors need less creativity in mores, society, and technology for the former.
Explanation number 2: as an old computer geek, I was always struck (until the 80s) by the lack of computer literacy in SF. By that I mean that the computer at best was a deus ex machina, a Gandalf that could solve any problem instantaneously but needed a human to do the Right Thing. The culmination was the movie Independence Day, where an Apple Mac could with ease interface to the alien computers and send them a destruct signal. James Hogan, whatever one may say of his writing, at least because of his background as a Digital Equipment salesman could do much better at realistic intelligent-machine portrayal, and things have gotten better ever since.
However, with computer literacy has come the attempt to portray intelligent machines in SF, and that may be a turnoff for authors and readers alike. I'm sorry, the difference between the denouement as a better understanding of the universe and the denouement as intelligent machines permit humans to survive for no clear reason (e.g., Benford, Zindell, and the latest Dune sequel) is the difference not between comfort and discomfort, but between useful and pointless thought experiments.
Btw, I confess that I finally gave up on Sheri Tepper. While for about ten books her writing gifts and different take on standard SF tropes like the heroic struggling human colony on an alien world were new and different, her recycling of themes (aliens are evil and sly or omnipotent and ready to spank humans when they get out of line; old people are funhouse caricatures who hang on to power long after they lose their marbles; men are classified under the "Golden Girls" theory ["Why do men behave like that?" "There are 2 theories: (1) they can't help themselves, poor dears, it's in their genes; (2) men are scum"]) just got old to me.
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