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More on Book Quality -- Statistics and Recommendations

As some of my readers know, I was trained as an economist, and economists occasionally lapse into statistics, and, in this case, I will offer some figures associated with recommendations about purported quality of the books that you read.


Last month, the vaunted Locus published its list of recommended books released in 2007, 40 in all, of which 22 were science fiction and 18 were fantasy. Since these books were deemed to be of quality by Locus reviewers, as someone who is skeptical of any one source, particularly any one source of experts, I decided to make a comparison of the Locus findings to the reviews, or lack thereof, in Publishers Weekly.


Of the forty books Locus listed as superior, PW gave exactly 11 (or 27.5 %) starred reviews, their mark of quality. I would have made a similar comparison with other "authorities," such as Booklist and Kirkus, but, alas, I don't have access to their full databases, nor do I wish to pay their exorbitant rates for that privilege, but I will note that a number of books which did receive starred reviews from other sources such as those were not included on the Locus list. In the interests of full disclosure, I will point out that none of my books figure into these statistics, since nothing I published for the first time in 2007 received any listings by Locus or starred reviews [not that I know of, at least] from anyone else.


Having some interest in statistical oddities, I also noted that the Locus list predominantly featured male authors [72.5% of the recommended books were authored by males]. The breakdown by gender and genre did change slightly, since 77% of the SF titles were by males, as compared to a mere 67% of the fantasy titles. From my infrequent perusing of Booklist and Kirkus review summaries, I do retain the impression that at least several of the books receiving starred reviews from Booklist and Kirkus, and not included in the Locus list, were written by women.


For another comparison, the final Nebula ballot lists five novels. So far as I can determine, exactly one of them got a starred review from PW, but three of the five were on the Locus recommended list. And, of course, four of the five Nebula nominees were written by men.


All this suggests that there's definitely a difference in who and what are considered quality between those officially "in" the F&SF field, and those not so in. But then, haven't we always known that?



ADDENDUM: After I originally posted this, the thought occurred to me, as it might to many readers, that the selections by Locus reviewers and the Nebula voters might merely reflect the gender distribution of authors and titles in the F&SF field. So I did a quick analysis of the 2008 advance title listings of the twelve publishing imprints that are projected to issue more than 30 books. Of the twelve, six will publish more titles by men, and six will release more titles by women. Overall 56% of the more than 750 titles listed for those imprints will be authored by men and 44% by women [and I gave 1/2 credit to each gender where there were mixed gender co-authors]. To me, that does seem to suggest a certain gender disparity.




Comments:
Having recently submitted my Hugo nominee ballot, I am somewhat amazed at the balloting process. Prior year and current year Worldcon attendees can nominate prettymcuh anything that qualifies. I read a few blogs and other sites that had recommendations, and then decided to vote for the few things I really cared about. I admit that I nominated a fan artist who has done work for my clubs annual convention as part of a stacking the category to get Steve Stiles on the ballot. Other than that I was free to vote for things I like, and I did. I will probably be the only person who nominated an episode of Journeyman.

This proces did leave me wondering about the nomination and voting process for other awards. I know my club had a long debate on a panel of experts versus club members as we developed the WSFA small press award last year. We chose to go with club members deciding the winner after open nominations and committee winnowing. I like the rule that stipulates the removal of authors name from the story. That was done so that we wouldn't feel pressured to honor someone in a given year. In our first year the finalists did not include our convention Guest of Honor, he did have a story nominated.

Which all leads to the question, "Do you think there is a bias towards certain established authors when awards are given?"
 
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