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What I'm Writing
Understanding Readers?

As do at least some writers, I do have the very bad habit of reading reviews, even reader reviews. For years, other writers and editors have cautioned me against doing this very often, and yet... I still do. The good side of this is that I do understand what those readers want. That, unfortunately, is also the bad side.


I recently read a reader review of Adiamante, which has generally gotten overwhelmingly favorable reviews from both readers and critics, in which the reader, after saying that he had thoroughly enjoyed some 15 of my books, thoroughly lambasted me for writing what he suggested was a left-wing diatribe. He went on to write that, after reading this one book, he was sorry he'd bought the first fifteen.


While I wish I could say that I was surprised... I wasn't. Saddened a bit, resigned, but scarcely surprised. Just as people vary in their tastes in food, music, in types of entertainment, readers also vary in what they enjoy. That shouldn't surprise any writer.


What saddens me as a writer is not that a reader takes issue with what I write or how I write it. Since I do not write sexual scenes [with one exception more than twenty years ago] and I do not write graphic violence, most reader disagreements come from philosophical viewpoint differences. Even so, it's still disturbing when I explore a different point of view or a fact or an issue that conflicts with that reader's prejudices so violently that the reader must reject everything I have written or will write -- even those books with which the reader would agree. This is the all-too-common human mindset of "If you are not 100% in agreement with me, then you are the devil's spawn [or some other suitable epithet]."


To my way of thinking, reading provides an arena where readers can explore new or different ideas, where they can see how they might work out, or might not, and where they can look at what an author presents and either decide that the scenario, assumptions, and results are plausible -- or that they're not. It's certainly a great deal less costly, both in terms of resources and in terms of human misery, to explore such possibilities on the printed page. Unfortunately, there are still those people whose minds are so closed that any exploration is regarded as an assault upon their dearly held prejudices... and I use the term prejudices here advisedly, because those who cannot even read or listen to another viewpoint [assuming it's well-written, of course] in order to evaluate its strengths and weaknesses before accepting or rejecting it, are not thinking beings, but merely creatures of thoughtless bias.


Yet... as the percentage of adults who read for pleasure has decreased, so has the polarization of political and social viewpoints increased, to the point where tens of millions of Americans are unwilling to listen to contrary views, unwilling to accept social and political compromise, and unwilling to hammer out solutions that work for all Americans... and not just for them.


Is this a coincidence? I don't think so, but I also don't think that decreased reading has caused increased social and political polarization. Rather, my own suspicion is that a society that demands instant everything effectively stifles debate and discussion, not to mention thoughtful consideration... because thought... and reading... do, in fact, take time and reflection. Add to that the fact that our media and our politics are structured along the same lines... and even some evangelical religions are to some degree, where instantly "accepting Jesus" seems to count more than a lifetime of measured goodness, and it's not difficult to see the various contributing factors to "values absolutism."


And that's how we writers get readers who like 93.75% of our work, but who will never read another book of ours because of something we put down in one single volume.


Comments:
I would agree that this is a sad state of affairs. To me, it would be disturbing if I agreed with everything I read, what would be the point of reading - or seeking out information of any kind - if it never challenged my established views?

Besides, I can safely say that Rahl - from the last published Recluse book - was my least favorite character. In fact, I wanted to slap him on more than a few occasions. Still, I kept reading because I wanted to see what else would happen and - in the end - the difference in his character still made for an enjoyable story. I would never renounce my love for the series simply because the latest book was not instantly my favorite.
 
Let not your heart be troubled.

Adiamante is probably one of my favorite books of all time. It is my favorite stand alone novel. Now granted, I am not as well read as some people, but I still read quite a bit for pleasure.

Every time I read it, I have a hard time imagining that I would react any differently than Ecktor throughout the book.

The societal structure is well organized and explainable. The characters for both the VU and Old Earth act in ways that are believable and logical for their positions. To me, that is far more important than whether I agree completely with the societal structure of either.

I still have to spend time thinking about the Story the Old Demi Told every time I read it, because I know I'm still missing something there that I ought to be able to figure out, and it nags at me every time. I know I'll figure it out one of these times.

In any case, I can imagine it is hard to gauge how readers will react to books, but I would say that although it may drive sales, the popularity of a book does not always indicate the quality of a book.

Anyway, thank you for sharing your writing with those of us who enjoy reading it!
 
The timing of this blog is serendipitous (well, at least for me). My father's day gift from my daughter, who is away at college, is that she is reading Adiamante so that we can discuss it when she next visits home. Last year, she read Ayn Rand's Fountainhead. Next year's book might be Dawkins' The God Delusion, which I just finished reading.

One point Dawkins made that I really liked was that, rather than foist our beliefs on our children, we should be teaching them to be critical thinkers capable of coming to their own conclusions.

If last summer's discussions are any indication, I am really looking forward to this year's gift. You can't put a price on watching a mind develop.

Sorry, a bit of a "me to" post, but the topic really struck a note. BTW, I really enjoyed Adiamante, which is my personal favorite from the Modesitt collection.
 
As someone who is both a right-winger and a F&SF fan, I can both understand the reviewer and disagree with him. I haven't read Adiamante yet, it's in the pile, but honestly, if the Ecolitian series and its homage to socialist eco-terrorists didn't lose him I can't imagine what would be in this book that would do so.

And as a right-winger if I restricted myself to authors on my side of the political spectrum I'd have some military SF from Baen and that's about it. So that's why I have a different rule. I read whatever entertains me.

And that's where just one book that is exceptionally disagreeable can cause the reaction that this reviewer had. Because it broke the compact between author and reader that says "I will buy your book and you will entertain me".

This happens all the time. For example, I used to read the Forgotten Realms books from RA Salvatore. They were your basic popcorn books, light, entertaining, would fill up an evening or a plane flight nicely. Then came 'Spine of the World', which was not light, or entertaining. It was preachy, and it was mind-bogglingly awful. It's the last of his books that I've purchased. I've been told by friends that they got better afterwards. But I won't find out. Because with my limited time and budget I simply don't want to risk that again. There are plenty of other authors out there who can fill my time that haven't driven me away.

Another author who did that was Laurell K Hamilton. Although in her case it wasn't any individual book that drove me away, but a series of blog postings. Her early books in the Anita Blake series were great, but after the first half dozen or so they went downhill quickly. But I kept buying them, hoping that some of the early magic would come back. But then she decides to reveal on her blog that not only is she greatly offended by the people like me who think the series has gone downhill she likes the way it's going, thank you very much, and basically told a good chunk of her readers to go to Hades. So no more purchases from me, and in fact, there's a book of hers in my 'unread' pile that I'd bought before I read her diatriabes against her readership that's now been there for a couple of years. I may never read it. I keep a constant 15-20 books in my 'unread' pile and I'd have to say that it's dead last in the order that I'll read them.

So what does that mean to you as an author? I don't know, except that if you're ever tempted to write a novel for any purpose other than to entertain, you run a real risk of losing readership.
 
Well I would not quit reading because of a political or religious viewpoint not agreeing with my own. I remember reading this book centering around a guy that tortured people – I did feel a little guilty about liking it.
But I did quit reading a book once because of something the author did to the main character. I will not get into what he did because I am sure my response is not politically correct (by the way, I hate that term)
Adiamante was a good read, but not one of my favorites – not sure I understand why they found it so objectable.
http://books.google.com/books?id=2n8LltX52H8C&printsec=frontcover
Wow, I checked out the above link – do they have the whole book on the internet?

Ps. Kharl is my favorite character. No, that is not a plea to write more about him – he got his ‘happily ever after’.
 
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